I MIGHT NOT BE HERE
I am completely active in :
[GREENSPYART.TUMBLR.COM ]
or @GreenSpyArt at twitter
(Sorry If I wont respond to ask or messages)
I am completely active in :
(Sorry If I wont respond to ask or messages)
I am completely active in :
(Sorry If I wont respond to ask or messages)
Summary:
The year is 1975.
Jack McLoughlin is a Hollywood superstar. Daniel Condren is the detective investigating the death threats he’s been receiving.
Thank you @greenspyarts for the inspiration for this fic!!
You can read it on Ao3 here: x
— Miles

well since no one else is going to perform this vital public service here are some reviews of the top ten gun violins on google, by a violist who has shot a gun like twice.

3/10. strings seem to disappear and there are no tuning pegs. impossible to aim as a gun because violin body gets in the way. 3 points for classic black finish, never goes out of style for murders at the symphony.

0/10. same aiming problem as the last one and with strings that short the sound you produce will kill people on its own so why have a gun. also seems to be cut like you’re supposed to shoulder-mount it like a rocket launcher, which is a terrible idea with this kind of gun.

6/10. looks like they’ve gone for an electric violin which is a great choice! it fits the aesthetic and you don’t need to worry about the instrument body this way. heavy, but the weight is concentrated near the chin so should be fine for short sessions. tuning pegs are directly in the firing line so using the gun destroys the violin, only fire as a last resort.

2/10. not fit for either purpose. stupid fake gun gets in the way of the bow, and there’s no sound chamber at all. plus, where do you even put your shoulder. 2 points because I guess you could put it on your wall as a weird art piece.

8/10. finally someone is thinking this through! the retractable barrel and folding fingerboard offer good flexibility and the bridge even doubles as a handy iron sight! needs to be de-strung to fire, so limited on-the-fly mode switching.

1/10. firing the guns will absolutely annihilate the scroll but you might as well because it would have terrible sound anyway. 1 point for thinking of left-handed violinists for once.

-4/10. not even a gun, just a violin that lets you scope the audience for dramatic effect.

5/10. useful if you want to shoot yourself and the conductor at the same time, which is frequently a mood.

6/10. he a little confused, but he got the spirit. technically works as both weapon and instrument but be VERY careful putting it under your chin if you haven’t unloaded the bolt.

-100000/10 what the fuck
Gun Violince
Below are three absolutely FREE instructional art courses for Supersonic Art readers:
雖然作者還沒畫~但還是很想看Connor跟scp-2521互動呀~感覺要實驗的話,應該要給Connor一個傳送器之類的~?這樣至少能不要讓他爬著回基金會吧XDDD
Klaus was part of a group of The Beatles’ friends in Hamburg. His “memory drawings” of our Hamburg days are not only beautiful drawings in themselves, but capture the spirit of the times.
– Paul McCartney
[I am endlessly fascinated by illustrative records made by people that were actually there. Like Paul said, these seem to capture the spirit and the ambience of the moment, with an emotional acuity that photographs normally lack, limited to an instant as they are. Klaus Voormann is a blessing in the sense that he allows us a peek behind the curtains, placing us there with him in the scene, in a way that little else can. I wanted to gather all these pieces in one place, despite having seen some of them floating around. My sincere thanks to those who brought them to my attention in the first place.]